This selection overrides your usual output bus setting, allowing tracks to be one-click re-routed to any of eight user-configured destination buses, or even route to multiple destinations at once with the Summing mode. Looking like the Insert slots, available destinations are selected by clicking within the allotted space. We should also mention the new Direct Routing section in the MixConsole. You can change voicings on the fly and record your jamming, and there's a circle-of-fifths view, from which chords can be dragged directly onto the pads, as well as the Proximity Chord Assistant, which helps you pick out harmonically related chords. We loved the addition of the Chord Track in Cubase 7, and version 8 takes that side of things a step further with Chord pads, a fun auto-chord-like function that allows you to set up custom chords on a set of virtual pads for triggering onscreen or via MIDI. "You can now swap the channel meters in the Meter Bridge for Wave Meters - real-time vertically scrolling waveforms, which look cool and make for a handy visual reference" This is useful for making adjustments to the automated parameter within the Virgin Territory without them being overridden by automation.
#Cubase 7 vst bridge free
With Virgin Territories switched on, the space between the end of one section of automation and the start of the next one is left completely free of automation, rather than being filled in automatically with a line joining end and start points, as was previously the case. A Virgin Territory is a section of automated track that hasn't been subjected to automation. Next, a new automation function called Virgin Territories. It's powerful stuff and as easy as can be - just select the channels, right-click and choose the option from the menu.
You can automate both channel faders and VCA faders and they won't 'override' each other.įurthermore, VCA fader groups can be nested - that is, VCA faders themselves can be assigned to a further VCA fader. VCA faders include the ability to link any combination of channels, no matter their destinations, even if they're routed to different busses. This is ideal when you have a perfect balance of multitracked backing vocal tracks and want to fade all the tracks in or out as one, for example - and unlike using a group bus, post-fader send effects applied to the tracks will 'follow' the adjustments. The new VCA Faders feature enables multiple volume faders to be linked and controlled as one under the control of a new fader in its own channel, without disturbing the relative positioning of the originals. This is a known bug, and Steinberg recommend using a MIDI click instead - not really an acceptable solution, so hopefully it'll be fixed soon. We experienced a glitch while playing around with MIDI tempo detection, wherein Cubase's metronome would become inaudible. It works well, and is helped along by thoughtful options like offbeat correction and tempo smoothing.
#Cubase 7 vst bridge pro
MIDI power users will be pleased with Cubase Pro 8's ability to perform MIDI tempo detection: essentially, a tempo track can be created from any recorded MIDI performance.
The one disappointment is that sidechained effects aren't bounced.
You can also elect to render with or without master output effects, and choose to mute the original (which we're surprised to see isn't done automatically). There's also a Dry option, which renders an instrument or audio track and copies all effects and settings to the new track, rather than burning them into the bounce.
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